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“Volver” means “coming back”, and it’s for you also a coming back to working with Pedro Almodóvar. But, asks Peter Conrad, why does Penelope Cruz wear that prosthetic bum? Next Penélope Cruz Cannes Interview Now, in the highly acclaimed Volver, Pedro Almodovar confronts the one topic that had eluded him – death.
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Next Almodóvar Talks: Sex was my way of coping with deathįrom paedophile priests to psychotic transsexuals, Spain’s most outrageous director has tackled ever more raucous themes as he captured the dark underbelly of his country. At the heart of this social framework, three generations of women survive wind, fire and even death, thanks to goodness, audacity and a limitless vitality. Synopsis: VOLVER is a meeting of “Mildred Pierce” and “Arsenic and Old Lace”, combined with the surrealistic naturalism of my fourth film, “¿Qué he hecho yo para merecer esto!!” (“What have I done to Deserve This?”), that is, Madrid and its lively working-class neighbourhoods, where the immigrants from the various Spanish provinces share dreams, lives and fortune with a multitude of ethnic groups and other races. Here you can find more movies with staring Penélope Cruz. MPAA Rating: R for some sexual content and language. Produced by: Agustin Almodovar, Esther Garcia P Language and Literature > PN Literature (General) > PN1993 Motion PicturesĬollege of Arts > School of Modern Languages and Cultures > Hispanic StudiesĬopyright of this thesis is held by the author.Starring: Penélope Cruz, Yohana Cobo, Carmen Maura, Lola Dueñas, Blanca Portillo, Chus Lampreave, Antonio De La Torre, Carmen Machi, Yolanda Ramos, Maria Isabel Diaz Gender, identity, spanish cinema, spanish film, spain, 21st century, gender representations, psychoanalysis, film theory, film studies, Pedro Almodóvar, Almodóvar, feminine, masculine, sexuality, gender politics, redefinition, hable con ella, talk to her, la mala educación, bad education, volver, los abrazos rotos, broken embraces, hispanic studies, dominant cinema, feminismm, cinema, film, film analysis The discourse constructed, deconstructed and reconstructed by Pedro Almodóvar will be analysed in order to represent new conceptions of identity, sexuality and the redefinition of gender in 21st Century Spanish Film. This thesis provides a distinctive contemporary insight into Spanish Cinema and gender politics. Given the increasing importance attached to cultural and gender studies, research into 21st Century Spanish cinema is still a new and largely unexplored area. This thesis examines the creation of what could be considered a “New Spanish Cinema” upon which the representation and perceptions of gendered identities can be regarded as having moved towards a sense of sophistication. This analysis will create a dialogue between psychoanalytic theory and the film narrative, demonstrating how psychoanalytic notions have been portrayed through the medium of film, defining male and female subjectivity in cinema and in wider society. A gender-based theoretical framework will be applied, using psychoanalysis as a tool to deconstruct, analyse and gain in-depth insight into strategies applied by Almodóvar in order to challenge patriarchal and repressive stereotypes and practices throughout his 21st Century filmography. This research project will examine how new images of gender representations appear at the turn of the 21st Century in which the focus is characterised by the tensions between subjective experience and the broader social collectivity. The aim of this research is the evolving cultural conception of gendered identities in prominent and significant films produced in 21st Century Spanish cinema of filmmaker Pedro Almodóvar.